Dianne Goldman

A musicologist dedicated to teaching and research with a specialty in sacred music from the sixteenth through early nineteenth centuries in New Spain and Europe

 

Employment

Elmhurst University                                                                                                       

Assistant Professor • Department of Music                                                                      2023-

Visiting Assistant Professor • Department of Music                                                        2021-2023

Lecturer • Department of Music                                                                                       2017-2018

 

Columbia College Chicago                                                                                             2012-2021

Lecturer • Department of Music                                                                                

University of Maryland, College Park                                                                          2015-2016

Lecturer • Musicology and Ethnomusicology Division • School of Music                                                                           

Education

Northwestern University, Henry and Leigh Bienen School of Music                                     2014

            Ph.D. with Honors,  Musicology                                                                                    

 

Dissertation: “The Matins Responsory at Mexico City Cathedral, 1575-1815”      

Advisor: Drew Edward Davies

Committee: Linda Austern, Thomas Bauman, Robert Gjerdingen

 

University of California, Santa Cruz, Department of Music                                                  2005

            M.A.,  Music  

                                                                                                                                                                                                                           

University of California, Davis, Department of Music; Department of Spanish                     2003

            B.A.,  Music                                                                                                                    

B.A.,  Spanish                                                  

 

Selected Publications

[In Development] The Basilica of Guadalupe, Mexico City: The Musical History of a Multivalent Image’s Sacred Space.

[Awaiting Proofs] Ignacio Jerusalem y Stella, “Christmas Matins/Maitines de Navidad,” Madrid: Dairea Editions.

Ignacio Jerusalem y Stella, Requiem (1760), Recent Researches in the music of the Classical Era

C116, Middleton, WI: A-R Editions, 2022.

 

“Pervivencia y renovación del responsorio en los siglos dieciocho y diecinueve.” [Tradition and

Renovation of the Responsory in the Eighteenth and Nineteenth Centuries.”] In: Catálogo de las obras de música en el Archivo del Cabildo de la Catedral Metropolitano de México, vol. 3: Responsorios. Lucero Enríquez, Drew E. Davies, and Analía Cherñavsky, eds. Mexico City: Instituto de Investigaciones Estéticas – Universidad Nacional Autónoma de México (IIE-UNAM), 2019.

“Antonio Juanas como vínculo entre pasado y presente visto a través de los responsorios de la catedral de México.” [“Antonio Juanas as a Link between the Past and Present seen through the Responsories of the Mexico City Cathedral.”] In: De música y cultura en la Nueva España y el México independiente: testimonios de innovación y pervivencia. Lucero Enríquez Rubio, ed. Ritual sonoro 2. Mexico City: IIE-UNAM, 2017.

“Between stile antico and galant: An Authorship Complex of Eighteenth-Century Responsories for the Santísima Trinidad at Mexico City Cathedral.” In: Haydn and his Contemporaries II. Kathryn Libin, ed. Ann Arbor, MI: Steglein Press, 2015, 1-17.

[Book Review] “De Nueva España a México: El universo musical mexicano entre centenarios

(1517–1917). Edited by Marín-López, Javier. Seville: Universidad Internacional de Andalucía, 2020.” Hispanic American Historical Review 102:1 (2022), 135-136.

[Conference Report] “International Conference on Colonial Music: Music and Arts of Colonial New Spain, Florida International University, 5-7 March 2020,” Eighteenth Century Music, 18:1 (2021), 235-237.

[Recording Review] “LA ESFERA DE APOLO: MUSIC FROM 18^th CENTURY LIMA, PERU

Música Temprana / Adrián Rodríguez Van der Spoel (director).” Eighteenth-Century Music, 2019.

[Book Review] “Le Guin, Elisabeth. The Tonadilla in Performance: Lyric Comedy in Enlightenment Spain. Berkeley and Los Angeles: University of California Press, 2014.” Eighteenth-Century Music 14:1 (2017), 127-129.

[Book Review] “Vicente, Alfonso de. Tomás Luis de Victoria en el siglo xviii. Cuadernos Tomás Luis de Victoria 1. Miján: Industrias Gráficas Abulenses, 2012.” Eighteenth-Century Music 12:1 (2015), 98-100.

[Conference Report] “American Society of Eighteenth-Century Studies, Williamsburg, VA, 20-22 March 2014.” Eighteenth-Century Music 12:1 (2015), 127-130.

 

Selected Conference Papers and Presentations

“La música de Ignacio Jerusalem para los maitines en la Basílica de Guadalupe (Ciudad de México) • Ignacio Jerusalem 250: Músicas galantes entre Italia, la peninsula ibérica, y el nuevo mundo, Baeza, Spain, 4-5 December 2019. [presented in Spanish]

“Ignacio Jerusalem’s Sources at the Basilica de Guadalupe, Mexico City” • Coloquio Internacional Multidisciplinario Ignacio Jerusalem (1707-1769) y su tiempo, Mexico City, Mexico, 11-13 November 2019.

“Missing Pieces of a Forgotten Story: Archival Work and Source Status in Mexico” • Eighth Biennial Conference of the Society for Eighteenth-Century Music, Tallahassee, Florida, 22-25 February 2018.

“Segundas manos: ¿autoría o atribución?” • XV Aniversario del Seminario de Música en la Nueva España y el México Independiente y el marco del X Aniversario de la inscripción en la lista del patrimonio mundial del Campus Central de la Ciudad Universitaria de la UNAM, Mexico City, Mexico, 21-24 November 2017. [presented in Spanish]

 “Intertextuality in “Latin” Villancicos for Mexico City Cathedral during the Late Seventeenth Century” • Annual Conference of the Society for Seventeenth-Century Music, Miami, Florida, 14-17 April 2016.

“Intertextualidad en villancicos ‘latinos’ para la catedral de México a los finales del siglo diecisiete” • Nuevas perspectivas en torno al villancico y géneros afines en el mundo ibérico, Baeza, Spain, 2-4 December 2014.  [presented in Spanish]

“Authorship and Intent in Ignacio Jerusalem’s Responsory Cycle for the Virgin of Guadalupe” • American Musicological Society, Milwaukee, Wisconsin, 6-9 November 2014.

“Musical Requests in Chantry Endowments from Seventeenth-Century Mexico City Cathedral” •

Annual Conference of the Society for Seventeenth-Century Music, San Antonio, Texas, 3-6 April 2014.

“Adaptation as Authorship of Eighteenth Century Responsories for Holy Trinity at Mexico City Cathedral” • Fifth Biennial Joint Conference of the Society for Eighteenth-Century Music and the Haydn Society of North America, Charleston, South Carolina, 13-15 April 2012.

 

Courses Taught

Music History II – c.1750 to Present, Elmhurst University                                            2018, 2022-2024

            Undergraduate level; music-major requirement (45 students)

Musics of Latin America, Elmhurst University                                                       2017, 2022-23

            Undergraduate level, music-major elective (9 students)

Music History I – Antiquity to c.1750, Elmhurst University                                  2017, 2021-23

            Undergraduate level; music-major requirement (45 students)

Music in Western Culture, Elmhurst University                                                                     2022

Undergraduate level; non-major elective (13 students)

Music in Judaism and Jewish Culture, Elmhurst University                                                 2018

            Undergraduate level; music-major elective (7 students)

Symphonic Literature, University of Maryland, College Park                                                2016

            Graduate level; degree elective (10 students)

Survey of the Opera, University of Maryland, College Park                                                   2016

            Graduate level; degree requirement of Maryland Opera Studio students (25 students)

Music in the Classic Era, University of Maryland, College Park                                            2015

            Graduate level; degree elective (7 students)

Music History I – Antiquity to c.1600, University of Maryland, College Park                      2015

            Undergraduate level; music-major requirement (45 students)

Survey of Music Literature, University of Maryland, College Park                                       2015

            Undergraduate level; non-major elective (60 students)

Music, Time and Place I: Western Classical Tradition, Columbia College              2014; 2016

            Undergraduate level; music-major requirement (30 students)

Music, Time, and Place I: Cross-Cultural Themes, Columbia College                               2014

            Undergraduate level; music-major requirement (20 students)

Music Through the Ages: From Chant to R&B, Columbia College                          2014-2017

Undergraduate level; non-major elective [online] (26 students)

Music History and Analysis I, Columbia College Chicago (2 sections)                       2012-2013

            Undergraduate level; music-major requirement (30 students/section)

Masterpieces of Opera, Northwestern University                                                                   2009

Undergraduate level; non-major elective (26 students)

Introduction to Music, Northwestern University                                                                     2008

Undergraduate level; non-major elective (36 students)

Introduction to Music, Northwestern University                                                                     2008

Undergraduate level; non-major elective (79 students)

 

Academic Service

Director-at-Large • Society for Eighteenth-Century Music, Term: 2017-2019.

Program Committee Chair • Biennial Conference of the Society for Eighteenth-Century Music, San Antonio, Texas, 25-28 February 2016.

Organizer and Panel Chair: • “What Must a Musicologist Know?: Form and Content of the Musicology PhD Curriculum” • Panel sponsored by the Graduate Education Committee, American Musicological Society, Louisville, Kentucky, 12-15 November 2015.

Organizer and Panel Chair • “Production and Reception of European Music in the Eighteenth-century Americas” • American Society of Eighteenth-Century Studies, Williamsburg, Virginia, 20-22 March 2014.

Member • Seminario de Música en la Nueva España y el México Independiente, based at the

Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México. [http://musicat.unam.mx]

Community Service

Board Member • Beth Hillel B’nai Emunah (Term 2017-2023)

            Member of the general governing board of a local synagogue.

Scholar-in-Residence • Chicago Arts Orchestra

Artistic Advisor • “Rediscovered Treasures: Music of Eighteenth-Century Spain and Mexico Series.” Annual concert series by the Chicago Arts Orchestra, Javier Mendoza, conductor. Chicago, Illinois, 2010-2017.

Consultant for recording Chicago Arts Orchestra’s Al Combate on the Navona label, Fall-Winter 2012.

 

Languages

Spanish: Fluent

French: Basic to Intermediate reading

Latin: Liturgical reading

Hebrew: Basic reading

 

Selected Performance Experience                                                                                                                                       

Guest Artist with the Chicago Symphony Orchestra (shofar)                                        2022

Performer on “Max Janowski: The Great Works, Vol. 1” recording                             2022

Member of Kol Zimrah (soprano/alto)                                                                            2019-2023

Director of Wilmetsky Klezmer Orchestra (modern violin)                                           2017-2023

Elmhurst University Wind Ensemble (modern oboe)                                                      2017-2023

Elmhurst University Philharmonic Orchestra (modern oboe and modern violin)            2017-2020